Assemblée, Relâche, Réjouissance, Parade
by D'Incise
Phisynth
達彌 池田
Beeswax
𓂀_The_Bandcamper_Whose_Name_Is_A_Symbol
Cody Ariel Shaffer
JB
kopter
Jonathan Lee
allisoncameron
Darius Paymai
Jack
Steffan de Turck
@techbot
Dubmonk
James
LJJs Plectrum
int3
Trevor Helminski
Scott Berrier
michel banabila
Sietse van Erve
Ismael G. Cabral
Matt King
POL
dk
Jan Willem Broek
faberg
jon dale
Burton Thomas
George Grella
jah16
harfrem
Martin Arnold
JLS.FR
keesvandewiel
uiltjesrups
Robert Bielecki
Gert Derkx
Jass Hoar
Robert Bresnan
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Includes unlimited streaming of Assemblée, Relâche, Réjouissance, Parade via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 10 daysedition of 200Purchasable with gift card€8.50 EUR or more
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
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A) Le désir certain
14:56
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B) Le désir serein
12:22
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about
A collaborative release between Moving Furniture Records and INSUB.records. For Swiss customers we recommend to order from their shop insub.org
"Assemblée, relâche, réjouissance, parade" or another long, unspeakable, French, title (that would somehow translate as " Assembly, pause, rejoicing, parade").
Words that conjure ideas of music used in public, and social rituals.
The two distinct pieces experiment with the "bringing back" (re-injection?) of music into the experimental area. Do not see anything pretentious about it, it is rather a very personal path,
in the sense, among others, to not forbid certain aspects of music to make appearances, making bridges between conceptuality, and simplicity.
The first part, "L'Anglard de St-Donat", is constructed around a mazurka tune, a traditional dance from Central-France, played by Alfred Mouret, after his father François "L'Anglard".
But the four short "songs" are not to be seen as a reinterpretation (they're certainly not danceable), rather as a basis for d'incise's own research.
Solid drones and recurrent structures are built with recordings of bowed and struck metal objects and (sounds of various) instruments make counterpoints and quasi-melodic lines.
Then in "Le désir" the strategy is mirrored, electronics (detuned organs) make the rigid, and slightly awkward, context for the bowed metal sticks, tuned in relation to the electronics, to be played semi-improvised, and take a sort of soloist position, instabilities of both the objects and the gestures suddenly become open to interpretations and expressions. This piece is one of d'incise's actual solo live performances.
"Assemblée, relâche, réjouissance, parade" or another long, unspeakable, French, title (that would somehow translate as " Assembly, pause, rejoicing, parade").
Words that conjure ideas of music used in public, and social rituals.
The two distinct pieces experiment with the "bringing back" (re-injection?) of music into the experimental area. Do not see anything pretentious about it, it is rather a very personal path,
in the sense, among others, to not forbid certain aspects of music to make appearances, making bridges between conceptuality, and simplicity.
The first part, "L'Anglard de St-Donat", is constructed around a mazurka tune, a traditional dance from Central-France, played by Alfred Mouret, after his father François "L'Anglard".
But the four short "songs" are not to be seen as a reinterpretation (they're certainly not danceable), rather as a basis for d'incise's own research.
Solid drones and recurrent structures are built with recordings of bowed and struck metal objects and (sounds of various) instruments make counterpoints and quasi-melodic lines.
Then in "Le désir" the strategy is mirrored, electronics (detuned organs) make the rigid, and slightly awkward, context for the bowed metal sticks, tuned in relation to the electronics, to be played semi-improvised, and take a sort of soloist position, instabilities of both the objects and the gestures suddenly become open to interpretations and expressions. This piece is one of d'incise's actual solo live performances.
credits
released June 7, 2019
Composed, recorded and mixed by d'incise at Insub.studio, Geneva, 2017.
L'Anglard de St-Donat, assembled from recordings of bowed metallic objects, electric organ, harmonium, banjo & double bass
Le désir, bowed metallic sticks, performed live, over detuned/retuned organ backgrounds.
Published by Insub.records and Moving Furniture Records
Composed, recorded and mixed by d'incise at Insub.studio, Geneva, 2017.
L'Anglard de St-Donat, assembled from recordings of bowed metallic objects, electric organ, harmonium, banjo & double bass
Le désir, bowed metallic sticks, performed live, over detuned/retuned organ backgrounds.
Published by Insub.records and Moving Furniture Records
license
tags
about
Moving Furniture Records Amsterdam
Moving Furniture Records is a label based in Amsterdam, The Netherlands specialized in releasing experimental electronic and
electroacoustic music, started in October 2008.
Our shown prices are without VAT. Final price is calculated at checkout.
We ship at least once every 2 weeks on Saturday.
After shipping delivery can take up to 2 weeks in EU incl. NL, outside EU, up to 4. Patience is key 🙏
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